So anyways to the reason of this post. Today I went out to the shops and saw Robert Pattinson’s movie “Remember Me” in DVD at CNA. I didn’t get the chance to see if it was in Musica yet. So you should check out your nearest store encase.

I thought I should just post this so everyone can know. Sorry for the lack of updates in the past week. I’m currently writing my mid-year exams and since its my last year, its more studying to do. I only have 5 more exams to do. So I’ll be finish with exams on the 23rd of this month then I’ll continue with updating the site. Of course updates wont be exactly like before cause I still have homework and stuff. So yeah, I just though I should let you guys know whats happening.

Oh and Eskom was being a bum the other day. We didn’t have electricity for a whole day so I sometimes wont be able to update the site cause I don’t have electricity.

I think that’s from me right now and thanks to everyone that visits the site. It means a lot. I hope you all will still continue to visit the site. In the mean time enter the contest to win a twilight t-shirt. More info about it on the post above this one.

Sorry again.
Nadia

Last year we hosted this contest and now this year CafePress is once again giving you a chance to win a Twilight T-Shirt! All you have to do is to leave a comment in this post with a link to the t-shirt you like the most from their enormous collection (the link is just above the image). Don’t forget to leave your real name and email address so we can contact if you are the winner. Anyone, from any country can enter.

Find Eclipse t-shirts and more Twilight themed merchandise at CafePress here.

When you put your heart and soul into something as intense as the duration of a film production, you become completely lost in it. You focus on doing your very best to get it right each day and you work on this for so long that you assume an ownership of it.

When shooting The Twilight Saga: Eclipse, I always felt an awareness of how many people this film would reach and as a result, knew that this film did not just belong to myself, the producers and the studio, but more so, to all of you, the fans of The Twilight Saga.

At the end of the day, after all the hard work is done, all that’s left is the film itself, and your overwhelmingly positive and supportive responses have made me feel like we must have done something right. As a filmmaker, this is a rare and strange feeling of connection with an audience of which I will never forget and I thank you all for it.

DAVID SLADE
JULY 2010

With a breakout role in Martin Scorsese’s new project, the 27-year-old Brit proves he’s got more than Hollywood good looks and a famous last name (as in Grandpa John and Aunt Anjelica)—he also has a legitimate knack for the family business.

Details: In The Twilight Saga: Eclipse, you play the former fiancé of Edward’s sister, Rosalie. How did you land the part?
Jack Huston: I auditioned for another part—a newborn vampire—and kind of shocked the producers. I acted like a junkie. I hadn’t slept the night before and had drunk lots of coffee. Everyone was like, “Um, a little too edgy.” But they liked me enough to offer me this part instead.

Details: What’s it like to be part of the Twilight phenomenon?
Jack Huston: I have never seen anything like it, actually. I turned up for shooting and, literally, everyone was there—children, teenagers, 20-year-olds, mothers, older ladies. There was an English teacher, who had saved up her time off and flown from England to Vancouver to put herself up in the same hotel as the cast. She sat in the lobby all day, just to see them walk out. That’s a little extreme, but I like her dedication.

Details: Your character isn’t a nice guy. Have any rabid fans confronted you yet?
Jack Huston: They haven’t said anything to me yet. I’m safe for now. But imagine if it turns nasty and they camp outside my house with knives. That would be terrible. “Stop attacking me! I’m really a nice guy! I am not a rapist!”

Details: Your next project is the hotly anticipated HBO Prohibition-era drama Boardwalk Empire. Any spoilers?
Jack Huston: Martin Scorsese shot the pilot, and it’s going to look like a Scorsese movie. It takes place in Atlantic City during the 1920s, in the early days of organized crime. My character’s come back from the war, and things have happened to him. He’s not really an on-the-boardwalk kind of person. I can’t reveal too much, but he wants to hide. I had to alter a lot about my appearance for the role.

Details: Like growing a mustache?
Jack Huston: I’ve had a mustache in a few things now. I think I’ve become the go-to mustache man. It works in period pieces. Modern-day mustaches are probably creepy. But I get compliments—everyone’s like, “Wow, love the ‘stache, dude.”

Details: You’re filming in New York. What have you been doing when you’re not shooting?
Jack Huston: Filming in New York has been nice, but like an idiot I’ve just been up in my room working. I tend to do that when I travel for work. Just sitting in my hotel room getting stuff done: reading, going over scripts, rewriting little bits. Like a recluse. I am Howard Hughes at the moment. I’m pissing in bottles.

Details: What’s the set like?
Jack Huston: We are at Steiner Studios in Brooklyn. They built this incredible boardwalk. It blows your mind. When the show ends, apparently it’s going to stay there because it’s become this attraction. You can see a time line of them building it on YouTube. All from nothing.

Details: Is it true you’ve filmed a movie with Al Pacino?
Jack Huston: It’s been a couple years now, I think. I did a day’s work on this Oscar Wilde movie he’s doing called Wilde Salome. He must have hundreds of hours of film now, and he’s still editing. I’ve seen it maybe six times, and I’ve seen six different movies—each time it’s a different film. For a week or so we were going to Al’s every night, eating fruit salad, and talking about the part.

Details: Fruit salad?
Jack Huston: “Fruit salad, Al? Seven days in a row?! Can you bring me some fucking prosciutto?” [Laughs] I can’t say enough about Al. There is no man as invested in what he does.

Details: You come from a famous family. Do you feel pressure to live up to the name?
Jack Huston: My grandpa didn’t get started until he was in his mid-forties. My aunt Anjelica started in her thirties after modeling for a long time. My uncle Danny really started in his late thirties. I guess we’re just late bloomers. I started early compared to them, so there’s no pressure.

Details: Did they steer you into the family business?
Jack Huston: I was in England, so I was always very separate from them. But Anjelica did say that she thought it would be a good idea if I came to America, which really spurred me to make the move. But we never really talk about the craft or anything like that. They gave me advice, but more as one’s own aunt or uncle or mother or father would do. Just like a normal family.

Details: They must have taught you a few things about Hollywood.
Jack Huston: I went to the Academy Awards with my aunt when I was, like, 19, and I remember walking the red carpet. I think that put me off ever wanting to do it again. I was just shell-shocked. There are so many people, and they are literally yelling at you! I fucking freaked out! I downed, like, four drinks and got hammered.

Details: Has dating Cat Deeley, the host of So You Think You Can Dance, made you better at handling the flashbulbs?
Jack Huston: She gets recognized when we go out, not me. It’s like that scene from Forgetting Sarah Marshall—”Hey, Lurch! Get out of the picture.”

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You can learn a lot about a character — and an actor — talking to a film’s costume designer. Here, The Twilight Saga: Eclipse‘s Tish Monaghan reveals a few secrets from the wardrobe closets:

• Robert Pattinson wanted to wear karate pants for the training sequence. “So we got him some karate pants, and it’s like the crotch hangs down to the knees, and I just thought, Ugh. Who’s gonna go for this? Because everything has to be approved by Summit,” Monaghan says. “We took them in a little bit, and they loved the karate pants. Who knew? I was so surprised.”

• Even at the film’s premiere, people squealed when Taylor Lautner turned around in that black T-shirt. “It was almost embarrassing. I felt so bad for him,” Monaghan says, with a laugh. “They were screaming and going ‘Wooooo!’” As she’d done on New Moon, her M.O. was to put him in smaller size Gap or Banana Republic T-shirts to emphasize his biceps, tightening the tees around the arm holes and taking them in down the side. (Pattinson wore Gap T-shirts, exclusively, she adds. “They were what fit him best. They had the best colors. So that’s what he ended up wearing, even when Edward takes Bella up to the tent. It may strike people as odd, but he doesn’t feel temperature, so that’s why we only put him in a shirt, and Bella’s all bundled up, and Jacob, of course, is running around shirtless.”

• Rosalie’s wedding dress was the star of a deleted scene: For Rosalie’s flashback to the 1930s, Monaghan’s department both rented original period dresses and made two ensembles — the one she wore when she was attacked, and her wedding dress. “Unfortunately in the film, we only see her arriving at the door,” Monaghan says, of the latter’s entrance. “I’m not sure why the scene with her floating down the hallway was cut out — maybe it’s because the element of surprise had a stronger impact. They didn’t want us to know in advance who was coming to the door. But we made a silk train for her that floated down the hallway as she kind of hydroplaned down the carpet. [Actress Nikki Reed] was mounted on a contraption, almost like a bicycle seat, and the camera was in front of her and to the side, and she just when whoooooooosh. She was rolled down the hallway at quite the speed and a fan would blow up her veil so that it was trailing behind her. It looked wonderful. The train itself was probably about 10 or 12 feet, and then the veil went beyond that.”

• Riley (Xavier Samuel) has great taste in victims: “The sensibility of all of the newborns, including Riley, is that they’re scavengers. They’re going to steal pieces from whomever they find. Riley just happened to find somebody who was wearing a G-Star jacket and some really cool jeans,” Monaghan says, with a laugh. “Once he was turned, I just wanted to put him in something that was edgy and very contemporary. We wanted to make him young and powerful but still have this kind of dark sexiness to him. We found this great G-Star jacket for him and tight, tight jeans and a beautiful Paul Smith shirt. And then he had one other change after that, which was the same jacket and tight reddish maroon jeans, which for us was important because once he got into battle with the Cullens and the werewolves, we had to separate the newborns from the Cullens color-wise. We had to make sure that there wasn’t any confusion as to who was on whose team when a body was flying through the air. So with the Cullens, we intentionally put them in black, dark navy or dark gray. With the newborns, we put them in earth tones and hints of brighter colors.”

• There’s a bit of old Victoria in new Victoria. “Because of the transition from Rachelle Lefevre to Bryce Dallas Howard, we decided that the first time that we saw Victoria, we should definitely put her into pieces of the costume that we had last seen Victoria wearing in New Moon, just so that the audience, aside from her large mane of tangled red hair, would definitely know that this is who that character is. There’s all these things that you work on so hard, and then it ends up becoming such a subliminal thing,” Monaghan says. “Gradually, we transitioned out of that into something a little bit different to make it Bryce’s own character. Because she was going to be courting Riley, I wanted something that was dark and foreboding but still sensual, because she has to lure him. We made a black lace top with a zipper that kind of went around her neck, and you could unzip it as far down the front as was necessary. Just a romantic/punk look. It works really well with her red hair, and her skin showed through, and you could see that she was being a little bit of a siren and trying to work her magic on Riley.”

• Emmett wears lighter colors than the other Cullens to showcase Kellan Lutz’s muscles. “Absolutely,” Monaghan says, when asked if this theory about his Old Navy hoodie is correct. “I also knew that the focus was going to be on him and his chase with Victoria in the woods, so I just really wanted to make sure that he stood out amongst all the dark backgrounds…. You probably won’t notice, but I made a very conscious decision to have the Cullens move through the color palette. They’re in lighter colors when they first hunt Victoria. The next big scene, when they’re in their workout wear, they’re in sort of midtones. Then when they have the final battle, that’s when I put them all in black, because I wanted them to be more stealth-like.”

• A lot of work goes into seconds of screen time. Take the newborn army Jasper (Jackson Rathbone, in a uniform purchased from a company that clothes reenactment societies, then aged as though he’d been riding in the desert for months) trained in his Civil War flashback. “It’s so fast, but for us, we have to do the work and prepare for that scene just as much as we would for any character,” Monaghan says. “They were scavengers from the 1800s, so it was a mix of garments that they grabbed from different armys, bankers, merchants, hookers.” The siren who turned him and leads the army is actually wearing his jacket and sash over her skirt. “That’s just me trying to show the link between the two of them,” she says. “For us, it’s the challenge in doing all of these thematic linkings that makes our job worthwhile. It’s important to do it, even if nobody else notices.”

• It takes a village to build a village. Unearthing what the Quileute tribe would have been wearing in the 1700s, before photography, was another challenge. Monaghan turned to ship logs from explorers who landed on the Pacific Coast and described the natives’ jewelry, their cedar bark clothing, and their dog-haired blankets. She looked at works by artist Paul Kane, and visited two Canadian museums of archeology with extensive native artifacts unearthed from burial sites. “We took all of this, and we said, ‘How are we gonna make this cheaply?’ Because we found someone was selling a recreated cedar cape online for $25,000 a garment. We ended up making them out of ground cover used in landscaping. We got something like 200 feet for $25,” Monaghan says. “So I had a whole team of people who made it one-time wear. We went to a taxidermist, and we got bones. We went to restaurants and got mussel shells. We went to another place and got abalone shells, which we used for our jewelry. We made hats out of straw baskets from Chinatown. We used wool blankets and raw silk. I was so happy with the outcome of recreating the Quileute village in the 1700s. I just thought it worked spectacularly for its, I think, 10 seconds of screen time.”

• You almost saw Kristen Stewart in a swimsuit. That’s what Bella was wearing in the script when she was saying goodbye to her mother and the sun. “Realistically, that’s never gonna look good on anybody if they’re just lying there. If they’re gonna dive into a pool and swim, maybe,” Monaghan says. “I just approached the director and said, ‘Listen, can we just do cutoffs or something instead?’ I think originally, we were going to shoot on location [in Florida], but instead, we shot in Vancouver. The temperature was not warm at all, and we wanted to keep them comfortable as well.”

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Summit has official released the locations of where they are going to film Breaking Dawn. This means that the movies are almost coming to an end. They just need to film it and then release the two movies. Then what happens?!

SUMMIT ENTERTAINMENT’S THE TWILIGHT SAGA: BREAKING DAWN TO BE FILMED IN LOUISIANA AND VANCOUVER

Summit Entertainment’s THE TWILIGHT SAGA: BREAKING DAWN will be filmed in both Baton Rouge, Louisiana and Vancouver over the next year starting this fall. The next chapter of THE TWILIGHT SAGA will be released as two separate films with the first of the two slated to be released in theatres on November 18, 2011.

Academy Award® winner Bill Condon will direct both films starring Kristen Stewart, Robert Pattinson and Taylor Lautner along with Billy Burke as Charlie Swan as well as returning members of the Cullen Family including Peter Facinelli as Carlisle, Elizabeth Reaser as Esme, Jackson Rathbone as Jasper, Nikki Reed as Rosalie, Ashley Greene as Alice and Kellan Lutz as Emmett.

The project, based on the fourth novel in author Stephenie Meyer’s Twilight series, is currently being written by Melissa Rosenberg with Wyck Godfrey, Karen Rosenfelt and Stephenie Meyer producing.

THE TWILIGHT SAGA: BREAKING DAWN illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions.

The third film in the franchise, THE TWILIGHT SAGA: ECLIPSE, is currently in theatres.

Human or immortal? Werewolf or vampire? Marriage or college? These are the kinds of choices Bella Swan (Kristen Stewart) faces in David Slade’s fast-paced “Eclipse,” the third chapter in Stephenie Meyer’s beloved “Twilight” saga.

You, however, have no such dilemmas, because you decided a long time ago whether Bella’s tangled love life is of any interest. And there’s nothing in Slade’s straightforward adaptation that will change your mind. If you adore Meyer’s characters already, you’ll be thrilled to spend more time with them. If you don’t, well, you’d just end up sitting among a bunch of sighing teens (and their moms), wondering what the fuss is about.

As any one of those die-hard fans could tell you, it’s all about love: Do the dangers of a potentially eternal romance with undead Edward (Robert Pattinson) outweigh the practical comforts provided by loyal Jacob (Taylor Lautner)? Life with Edward is hard; not only is he a vampire, but he’s got to be the moodiest boyfriend in history. Jacob might turn into a werewolf now and then, but he’s steady and reliable.

Plus, he loves to take his shirt off. Edward may be Bella’s soul mate, but Jacob definitely spends more time at the gym.

Are you swooning yet? Don’t scoff; Slade – who imports some of the darkness from his last vamp thriller, “30 Days of Night” – knows just how to reach his audience, alternating suspense and romance in carefully precise degrees. It may not be the subtlest approach, but it is effective.

He and screenwriter Melissa Rosenberg also find ways to broaden the series’ scope, incorporating slightly more opportunity for the supporting players (including Bryce Dallas Howard and Dakota Fanning as especially vicious vampires).

Most important, Bella and Edward are allowed a wider range of emotions than we’ve seen before; as a result, Stewart and Pattinson finally appear fully comfortable in their roles (though Lautner once again proves the standout, working hard to make Bella’s decision a difficult one).

The truth is, almost everyone planning to see “Eclipse” will know how things end before the opening credits even appear. So Slade and his cast can be proud that they consistently keep us involved anyway.

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